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  1. Mass in G major D 167 - Schubert

    Mass in G major D 167 - Schubert

    Erstausgabe nach den Klosterneuburger Stimmen. Franz Schubert’s Mass in G major is one of the most popular settings of the mass ordinary: the charming song-like melodic writing, especially in the Kyrie and the Credo, forms a magical counterpoint to more concertante passages in the Gloria and the Sanctus. Les mer

    Starter på: kr 55,00

  2. Dettingen Te Deum HWV 283, 1743 - Händel

    Dettingen Te Deum HWV 283, 1743 - Händel

    Te Deum for the Victory of Dettingen. he Dettingen Te Deum is a brilliant example of how Handel could capture the tone for festive occasions as had never been done before. The expression of the exalted character of this official work is imparted through Handel’s express use of timpani and trumpets. Gentler and more serious movements effectively complement the work. Les mer

    Starter på: kr 145,00

  3. Rose - Marie Solosang med blåsere PDF Karl Collan/Stig Gustafson

    Rose - Marie Solosang med blåsere PDF Karl Collan/Stig Gustafson

    Tekst av Zacharias Topelius. Denne melodien er spilt inn av Bofors Musikkår med Karin Langebo som sangsolist. Les mer
    kr 615,00
  4. Osteroratorium BWV 249, 1725 - Bach

    Osteroratorium BWV 249, 1725 - Bach

    Critical new edition 2004, edited by Ulrich Leisinger: Carus 31.249; old edition, edited by Dieter Hellmann: Carus 31.249/50. Parody of the secula cantata "Entfliehet, verschwindet, entweichet, ihr Sorgen" BWV 249a. Like the Ascension Oratorio BWV 11, Johann Sebastian Bach’s Easter Oratorio BWV 249 is entirely and unjustly overshadowed by his two great Passion settings and the Christmas Oratorio. Les mer

    Starter på: kr 49,00

  5.  L`addio a Napoli Solosang med blåsere PDF Teodoro Cottrau/Stig Gustafson

    L`addio a Napoli Solosang med blåsere PDF Teodoro Cottrau/Stig Gustafson

    Denne melodien er spilt inn av Bofors Musikkår med Karin Langebo som sangsolist. Les mer
    kr 615,00
  6. Finland kaller CB3/Messingsekstett PDF Karl-Erik Svedlund arr. Harry Sernklef

    Finland kaller CB3/Messingsekstett PDF Karl-Erik Svedlund arr. Harry Sernklef

    Arrangement både for Janitsjarkorps og Messingsekstett. Begge arr. med Ad. Lib sang Les mer
    kr 615,00
  7. De umulige (Stemmer) Solo, SATB, blåseensemble og komp arr: Håvard Sveås

    De umulige (Stemmer) Solo, SATB, blåseensemble og komp arr: Håvard Sveås

    T: Gunnar Roalkvam. M: Sigvart Dagsland. Stemmesett 12 sider. Solo, SATB og komp (besifring) + 2 fløyter, 2 klarinetter, 3 saxofoner, 2 horn, 2 trompeter, trombone og tuba. Les mer
    kr 36,00
  8. De umulige (Partitur) Solo, SATB, blåseensemble og komp arr: Håvard Sveås

    De umulige (Partitur) Solo, SATB, blåseensemble og komp arr: Håvard Sveås

    T: Gunnar Roalkvam. M: Sigvart Dagsland. Partitur 27 sider. Solo, SATB og komp (besifring) + 2 fløyter, 2 klarinetter, 3 saxofoner, 2 horn, 2 trompeter, trombone og tuba. Les mer
    kr 49,00
  9. Dettingen Te Deum (Individual part, organ)

    Dettingen Te Deum (Individual part, organ)

    The Dettingen Te Deum is a brilliant example of how Handel could capture the tone for festive occasions as had never been done before. The expression of the exalted character of this official work is imparted through Handel’s express use of timpani and trumpets. Gentler and more serious movements effectively complement the work. Les mer
    kr 179,00
  10. Dettingen Te Deum (Set of parts, complete orchestral parts)

    Dettingen Te Deum (Set of parts, complete orchestral parts)

    The Dettingen Te Deum is a brilliant example of how Handel could capture the tone for festive occasions as had never been done before. The expression of the exalted character of this official work is imparted through Handel’s express use of timpani and trumpets. Gentler and more serious movements effectively complement the work. Les mer
    kr 1 939,00
  11. Dettingen Te Deum (Study score)

    Dettingen Te Deum (Study score)

    The Dettingen Te Deum is a brilliant example of how Handel could capture the tone for festive occasions as had never been done before. The expression of the exalted character of this official work is imparted through Handel’s express use of timpani and trumpets. Gentler and more serious movements effectively complement the work. Les mer
    kr 259,00
  12. Johannespassionen (Stemmer) - blandet kor SATB, blåskvintett og orgel - Fredrik Sixten

    Johannespassionen (Stemmer) - blandet kor SATB, blåskvintett og orgel - Fredrik Sixten

    Stemmer for Johannespassionen. För Solister (sopran, tenor, baryton, bas), Blandad kör (SATB), Blåskvintett (flöjt, oboe, klarinett, valthorn, fagott) og Orgel. Texter ur Johannes evangelium, Gamla testamentet och Passionskoraler ur Den Svenska Psalmboken. Durata 60 min. Les mer
    kr 429,00
  13. Dettingen Te Deum (Choral score) (minste antall 12 stk)

    Dettingen Te Deum (Choral score) (minste antall 12 stk)

    The Dettingen Te Deum is a brilliant example of how Handel could capture the tone for festive occasions as had never been done before. The expression of the exalted character of this official work is imparted through Handel’s express use of timpani and trumpets. Gentler and more serious movements effectively complement the work. Les mer
    kr 145,00
  14. Johannespassionen (Partitur) - blandet kor SATB, blåskvintett og orgel - Fredrik Sixten

    Johannespassionen (Partitur) - blandet kor SATB, blåskvintett og orgel - Fredrik Sixten

    Partitur for Johannespassionen. För Solister (sopran, tenor, baryton, bas), Blandad kör (SATB), Blåskvintett (flöjt, oboe, klarinett, valthorn, fagott) og Orgel. Texter ur Johannes evangelium, Gamla testamentet och Passionskoraler ur Den Svenska Psalmboken. Durata 60 min. Les mer
    kr 479,00
  15. Dettingen Te Deum (Vocal score)

    Dettingen Te Deum (Vocal score)

    The Dettingen Te Deum is a brilliant example of how Handel could capture the tone for festive occasions as had never been done before. The expression of the exalted character of this official work is imparted through Handel’s express use of timpani and trumpets. Gentler and more serious movements effectively complement the work. Les mer
    kr 245,00
  16. Dettingen Te Deum (Full score)

    Dettingen Te Deum (Full score)

    The Dettingen Te Deum is a brilliant example of how Handel could capture the tone for festive occasions as had never been done before. The expression of the exalted character of this official work is imparted through Handel’s express use of timpani and trumpets. Gentler and more serious movements effectively complement the work. Les mer
    kr 619,00
  17. Oratorio de Noël op. 12 (Individual part, organ)

    Oratorio de Noël op. 12 (Individual part, organ)

    In 1860 Camille Saint-Saëns composed his Oratorio de Noël for five vocal soloists, mixed choir, strings, organ and harp. The work, sung in Latin, is based on texts from the Old and New Testaments, the Psalms and Gospels, as well as the Catholic Christmas liturgy. A distinctive chamber music-like instrumentation, with lyrical soloistic parts and a modest choral part combine to create a basic pastoral mood which has led this Christmas Oratorio to become one of the most performed works by Saint-Saëns. Carus offers this work both in its original version and in an arrangement in which the choir is accompanied solely by an organ. Les mer
    kr 199,00
  18. Oratorio de Noël op. 12 (Set of parts, complete orchestral parts)

    Oratorio de Noël op. 12 (Set of parts, complete orchestral parts)

    In 1860 Camille Saint-Saëns composed his Oratorio de Noël for five vocal soloists, mixed choir, strings, organ and harp. The work, sung in Latin, is based on texts from the Old and New Testaments, the Psalms and Gospels, as well as the Catholic Christmas liturgy. A distinctive chamber music-like instrumentation, with lyrical soloistic parts and a modest choral part combine to create a basic pastoral mood which has led this Christmas Oratorio to become one of the most performed works by Saint-Saëns. Carus offers this work both in its original version and in an arrangement in which the choir is accompanied solely by an organ. Les mer
    kr 1 079,00
  19. Oratorio de Noël op. 12 (Study score)

    Oratorio de Noël op. 12 (Study score)

    In 1860 Camille Saint-Saëns composed his Oratorio de Noël for five vocal soloists, mixed choir, strings, organ and harp. The work, sung in Latin, is based on texts from the Old and New Testaments, the Psalms and Gospels, as well as the Catholic Christmas liturgy. A distinctive chamber music-like instrumentation, with lyrical soloistic parts and a modest choral part combine to create a basic pastoral mood which has led this Christmas Oratorio to become one of the most performed works by Saint-Saëns. Carus offers this work both in its original version and in an arrangement in which the choir is accompanied solely by an organ. Les mer
    kr 175,00
  20. Oratorio de Noël op. 12 (Choral score) (minste antall 12 stk)

    Oratorio de Noël op. 12 (Choral score) (minste antall 12 stk)

    In 1860 Camille Saint-Saëns composed his Oratorio de Noël for five vocal soloists, mixed choir, strings, organ and harp. The work, sung in Latin, is based on texts from the Old and New Testaments, the Psalms and Gospels, as well as the Catholic Christmas liturgy. A distinctive chamber music-like instrumentation, with lyrical soloistic parts and a modest choral part combine to create a basic pastoral mood which has led this Christmas Oratorio to become one of the most performed works by Saint-Saëns. Carus offers this work both in its original version and in an arrangement in which the choir is accompanied solely by an organ. Les mer
    kr 55,00
  21. Oratorio de Noël op. 12 (Vocal score, XL in large print)

    Oratorio de Noël op. 12 (Vocal score, XL in large print)

    In 1860 Camille Saint-Saëns composed his Oratorio de Noël for five vocal soloists, mixed choir, strings, organ and harp. The work, sung in Latin, is based on texts from the Old and New Testaments, the Psalms and Gospels, as well as the Catholic Christmas liturgy. A distinctive chamber music-like instrumentation, with lyrical soloistic parts and a modest choral part combine to create a basic pastoral mood which has led this Christmas Oratorio to become one of the most performed works by Saint-Saëns. Carus offers this work both in its original version and in an arrangement in which the choir is accompanied solely by an organ. Les mer
    kr 259,00
  22. Oratorio de Noël op. 12 (Vocal score)

    Oratorio de Noël op. 12 (Vocal score)

    In 1860 Camille Saint-Saëns composed his Oratorio de Noël for five vocal soloists, mixed choir, strings, organ and harp. The work, sung in Latin, is based on texts from the Old and New Testaments, the Psalms and Gospels, as well as the Catholic Christmas liturgy. A distinctive chamber music-like instrumentation, with lyrical soloistic parts and a modest choral part combine to create a basic pastoral mood which has led this Christmas Oratorio to become one of the most performed works by Saint-Saëns. Carus offers this work both in its original version and in an arrangement in which the choir is accompanied solely by an organ. Les mer
    kr 179,00
  23. Oratorio de Noël op. 12 (Full score)

    Oratorio de Noël op. 12 (Full score)

    In 1860 Camille Saint-Saëns composed his Oratorio de Noël for five vocal soloists, mixed choir, strings, organ and harp. The work, sung in Latin, is based on texts from the Old and New Testaments, the Psalms and Gospels, as well as the Catholic Christmas liturgy. A distinctive chamber music-like instrumentation, with lyrical soloistic parts and a modest choral part combine to create a basic pastoral mood which has led this Christmas Oratorio to become one of the most performed works by Saint-Saëns. Carus offers this work both in its original version and in an arrangement in which the choir is accompanied solely by an organ. Les mer
    kr 429,00
  24. Hymn of Praise - Symphony cantata (Full score)

    Hymn of Praise - Symphony cantata (Full score)

    Mendelssohn describes to his friend Klingemann the 1840 work as "a ‘symphony for chorus and orchestra’… First three symphonic movements, to which 12 choral- and solo- movements are appendaged; the words from the Psalms, and indeed all pieces, vocal and instrumental, are composed in the words ‘Everything which has breath, Praise the Lord’; one understands by this that first the instruments give praise in their own way, and then the chorus and the individual voices." Les mer
    kr 1 209,00
  25. Osteroratorium (Individual part, organ)

    Osteroratorium (Individual part, organ)

    Johann Sebastian Bach: Osteroratorium (Kommt, eilet und laufet) Kritische Neuausgabe 2004, hrsg. von Ulrich Leisinger: Carus 31.249; Alte Ausgabe, hrsg. von Dieter Hellmann: Carus 31.249/50. Parodie der weltlichen Kantate "Entfliehet, verschwindet, entweichet, ihr Sorgen" BWV 249a Das Osteroratorium von Bach steht wie das Himmelfahrtsoratorium BWV 11 zu Unrecht im Schatten der beiden großen Passionen und des Weihnachtsoratoriums. Es wurde am 1. April 1725 zum ersten Mal aufgeführt. Danach hat Bach das Werk noch wenigstens dreimal den Leipziger Gottesdienstbesuchern an einem Ostersonntag zu Gehör gebracht und dabei stets erneut an der Komposition gefeilt. Die vorliegende Neuausgabe gibt erstmals den von Bach als Repertoirefassung angesehenen Notentext der reinschriftlichen Partitur aus den späten 1730er Jahren wieder. Werkverzeichnis: BWV 249 Kompositionsjahr: 1725 Soli SATB, Coro SATB, 2 Blfl f1, Fl, 2 Ob mit 1 Obda, Fg, 3 Tr, Timp, Str, Org Sprache: deutsch/englisch Tonart: Dauer: 40 min Textquelle: vermutlich von Christian Friedrich Henrici (Textdichter von BWV 249a) Les mer
    kr 289,00

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