Meny

Orkester

Viser 26-50 av 160

per side
Side:
  1. 1
  2. 2
  3. 3
  4. 4
  5. 5
  1. Dettingen Te Deum (Individual part, organ)

    Dettingen Te Deum (Individual part, organ)

    The Dettingen Te Deum is a brilliant example of how Handel could capture the tone for festive occasions as had never been done before. The expression of the exalted character of this official work is imparted through Handel’s express use of timpani and trumpets. Gentler and more serious movements effectively complement the work. Les mer
    kr 179,00
  2. Dettingen Te Deum (Set of parts, complete orchestral parts)

    Dettingen Te Deum (Set of parts, complete orchestral parts)

    The Dettingen Te Deum is a brilliant example of how Handel could capture the tone for festive occasions as had never been done before. The expression of the exalted character of this official work is imparted through Handel’s express use of timpani and trumpets. Gentler and more serious movements effectively complement the work. Les mer
    kr 1 939,00
  3. Dettingen Te Deum (Study score)

    Dettingen Te Deum (Study score)

    The Dettingen Te Deum is a brilliant example of how Handel could capture the tone for festive occasions as had never been done before. The expression of the exalted character of this official work is imparted through Handel’s express use of timpani and trumpets. Gentler and more serious movements effectively complement the work. Les mer
    kr 259,00
  4. Dettingen Te Deum (Choral score) (minste antall 15 stk)

    Dettingen Te Deum (Choral score) (minste antall 15 stk)

    The Dettingen Te Deum is a brilliant example of how Handel could capture the tone for festive occasions as had never been done before. The expression of the exalted character of this official work is imparted through Handel’s express use of timpani and trumpets. Gentler and more serious movements effectively complement the work. Les mer
    kr 145,00
  5. Dettingen Te Deum (Vocal score)

    Dettingen Te Deum (Vocal score)

    The Dettingen Te Deum is a brilliant example of how Handel could capture the tone for festive occasions as had never been done before. The expression of the exalted character of this official work is imparted through Handel’s express use of timpani and trumpets. Gentler and more serious movements effectively complement the work. Les mer
    kr 245,00
  6. Dettingen Te Deum (Full score)

    Dettingen Te Deum (Full score)

    The Dettingen Te Deum is a brilliant example of how Handel could capture the tone for festive occasions as had never been done before. The expression of the exalted character of this official work is imparted through Handel’s express use of timpani and trumpets. Gentler and more serious movements effectively complement the work. Les mer
    kr 619,00
  7. Missa in G D 167 (Individual part, organ)

    Missa in G D 167 (Individual part, organ)

    Franz Schubert’s Mass in G major is one of the most popular settings of the mass ordinary: the charming song-like melodic writing, especially in the Kyrie and the Credo, forms a magical counterpoint to more concertante passages in the Gloria and the Sanctus. For a long time it was thought that Schubert’s final version was scored for purely string orchestra, whilst a version with wind, brass, and timpani was thought to be an expanded orchestration by his brother Ferdinand Schubert. Les mer
    kr 125,00
  8. Missa in G D 167 (Set or parts, complete orchestral parts)

    Missa in G D 167 (Set or parts, complete orchestral parts)

    Franz Schubert’s Mass in G major is one of the most popular settings of the mass ordinary: the charming song-like melodic writing, especially in the Kyrie and the Credo, forms a magical counterpoint to more concertante passages in the Gloria and the Sanctus. For a long time it was thought that Schubert’s final version was scored for purely string orchestra, whilst a version with wind, brass, and timpani was thought to be an expanded orchestration by his brother Ferdinand Schubert. Les mer
    kr 919,00
  9. Missa in G D 167 (Study score)

    Missa in G D 167 (Study score)

    Franz Schubert’s Mass in G major is one of the most popular settings of the mass ordinary: the charming song-like melodic writing, especially in the Kyrie and the Credo, forms a magical counterpoint to more concertante passages in the Gloria and the Sanctus. For a long time it was thought that Schubert’s final version was scored for purely string orchestra, whilst a version with wind, brass, and timpani was thought to be an expanded orchestration by his brother Ferdinand Schubert. Les mer
    kr 139,00
  10. Missa in G D 167 (Vocal score, XL in large print)

    Missa in G D 167 (Vocal score, XL in large print)

    Franz Schubert’s Mass in G major is one of the most popular settings of the mass ordinary: the charming song-like melodic writing, especially in the Kyrie and the Credo, forms a magical counterpoint to more concertante passages in the Gloria and the Sanctus. For a long time it was thought that Schubert’s final version was scored for purely string orchestra, whilst a version with wind, brass, and timpani was thought to be an expanded orchestration by his brother Ferdinand Schubert. Les mer
    kr 215,00
  11. Missa in G D 167 (Choral score) (minste antall 15 stk)

    Missa in G D 167 (Choral score) (minste antall 15 stk)

    Franz Schubert’s Mass in G major is one of the most popular settings of the mass ordinary: the charming song-like melodic writing, especially in the Kyrie and the Credo, forms a magical counterpoint to more concertante passages in the Gloria and the Sanctus. For a long time it was thought that Schubert’s final version was scored for purely string orchestra, whilst a version with wind, brass, and timpani was thought to be an expanded orchestration by his brother Ferdinand Schubert. Les mer
    kr 55,00
  12. Missa in G D 167 (Vocal score)

    Missa in G D 167 (Vocal score)

    Franz Schubert’s Mass in G major is one of the most popular settings of the mass ordinary: the charming song-like melodic writing, especially in the Kyrie and the Credo, forms a magical counterpoint to more concertante passages in the Gloria and the Sanctus. For a long time it was thought that Schubert’s final version was scored for purely string orchestra, whilst a version with wind, brass, and timpani was thought to be an expanded orchestration by his brother Ferdinand Schubert. Les mer
    kr 125,00
  13. Missa in G D 167 (Full score)

    Missa in G D 167 (Full score)

    Franz Schubert’s Mass in G major is one of the most popular settings of the mass ordinary: the charming song-like melodic writing, especially in the Kyrie and the Credo, forms a magical counterpoint to more concertante passages in the Gloria and the Sanctus. For a long time it was thought that Schubert’s final version was scored for purely string orchestra, whilst a version with wind, brass, and timpani was thought to be an expanded orchestration by his brother Ferdinand Schubert. Les mer
    kr 315,00
  14. In thy mercy grant us peace (Full score, arrangement for choir and 1 organ)

    In thy mercy grant us peace (Full score, arrangement for choir and 1 organ)

    Also contains an arrangement for organ. In 1840 Schumann remarked: "The small piece deserves to be world famous and will become so in the future; the Madonnas of Raphael and Murillo cannot remain hidden for long." Year of composition: 1831 Version 1: Coro SATB, 2 Fl, 2 Clt, 2 Fg, 2 Vl, Va, 2 Vc, Cb; Version 2 : Coro SATB, Org Language: German/Latin Duration: 6 min Degree of difficulty: 2 Composer: Felix Mendelssohn Bartholdy Carus series: Stuttgart Urtext editions genres: Cantatas occasions: Peace and justice Les mer
    kr 85,00
  15. In thy mercy grant us peace (Set of parts, complete orchestral parts)

    In thy mercy grant us peace (Set of parts, complete orchestral parts)

    Also contains an arrangement for organ. In 1840 Schumann remarked: "The small piece deserves to be world famous and will become so in the future; the Madonnas of Raphael and Murillo cannot remain hidden for long." Year of composition: 1831 Version 1: Coro SATB, 2 Fl, 2 Clt, 2 Fg, 2 Vl, Va, 2 Vc, Cb; Version 2 : Coro SATB, Org Language: German/Latin Duration: 6 min Degree of difficulty: 2 Composer: Felix Mendelssohn Bartholdy Carus series: Stuttgart Urtext editions genres: Cantatas occasions: Peace and justice Les mer
    kr 335,00
  16. In thy mercy grant us peace (Full score)

    In thy mercy grant us peace (Full score)

    Also contains an arrangement for organ. In 1840 Schumann remarked: "The small piece deserves to be world famous and will become so in the future; the Madonnas of Raphael and Murillo cannot remain hidden for long." Year of composition: 1831 Version 1: Coro SATB, 2 Fl, 2 Clt, 2 Fg, 2 Vl, Va, 2 Vc, Cb; Version 2 : Coro SATB, Org Language: German/Latin Duration: 6 min Degree of difficulty: 2 Composer: Felix Mendelssohn Bartholdy Carus series: Stuttgart Urtext editions genres: Cantatas occasions: Peace and justice Les mer
    kr 125,00
  17. In thy mercy grant us peace (Vocal score)

    In thy mercy grant us peace (Vocal score)

    Also contains an arrangement for organ. In 1840 Schumann remarked: "The small piece deserves to be world famous and will become so in the future; the Madonnas of Raphael and Murillo cannot remain hidden for long." Year of composition: 1831 Version 1: Coro SATB, 2 Fl, 2 Clt, 2 Fg, 2 Vl, Va, 2 Vc, Cb; Version 2 : Coro SATB, Org Language: German/Latin Duration: 6 min Degree of difficulty: 2 Composer: Felix Mendelssohn Bartholdy Carus series: Stuttgart Urtext editions genres: Cantatas occasions: Peace and justice Les mer
    kr 69,00
  18. Oratorio de Noël op. 12 (Individual part, organ)

    Oratorio de Noël op. 12 (Individual part, organ)

    In 1860 Camille Saint-Saëns composed his Oratorio de Noël for five vocal soloists, mixed choir, strings, organ and harp. The work, sung in Latin, is based on texts from the Old and New Testaments, the Psalms and Gospels, as well as the Catholic Christmas liturgy. A distinctive chamber music-like instrumentation, with lyrical soloistic parts and a modest choral part combine to create a basic pastoral mood which has led this Christmas Oratorio to become one of the most performed works by Saint-Saëns. Carus offers this work both in its original version and in an arrangement in which the choir is accompanied solely by an organ. Les mer
    kr 199,00
  19. Oratorio de Noël op. 12 (Set of parts, complete orchestral parts)

    Oratorio de Noël op. 12 (Set of parts, complete orchestral parts)

    In 1860 Camille Saint-Saëns composed his Oratorio de Noël for five vocal soloists, mixed choir, strings, organ and harp. The work, sung in Latin, is based on texts from the Old and New Testaments, the Psalms and Gospels, as well as the Catholic Christmas liturgy. A distinctive chamber music-like instrumentation, with lyrical soloistic parts and a modest choral part combine to create a basic pastoral mood which has led this Christmas Oratorio to become one of the most performed works by Saint-Saëns. Carus offers this work both in its original version and in an arrangement in which the choir is accompanied solely by an organ. Les mer
    kr 1 079,00
  20. Oratorio de Noël op. 12 (Study score)

    Oratorio de Noël op. 12 (Study score)

    In 1860 Camille Saint-Saëns composed his Oratorio de Noël for five vocal soloists, mixed choir, strings, organ and harp. The work, sung in Latin, is based on texts from the Old and New Testaments, the Psalms and Gospels, as well as the Catholic Christmas liturgy. A distinctive chamber music-like instrumentation, with lyrical soloistic parts and a modest choral part combine to create a basic pastoral mood which has led this Christmas Oratorio to become one of the most performed works by Saint-Saëns. Carus offers this work both in its original version and in an arrangement in which the choir is accompanied solely by an organ. Les mer
    kr 175,00
  21. Oratorio de Noël op. 12 (Choral score) (minste antall 15 stk)

    Oratorio de Noël op. 12 (Choral score) (minste antall 15 stk)

    In 1860 Camille Saint-Saëns composed his Oratorio de Noël for five vocal soloists, mixed choir, strings, organ and harp. The work, sung in Latin, is based on texts from the Old and New Testaments, the Psalms and Gospels, as well as the Catholic Christmas liturgy. A distinctive chamber music-like instrumentation, with lyrical soloistic parts and a modest choral part combine to create a basic pastoral mood which has led this Christmas Oratorio to become one of the most performed works by Saint-Saëns. Carus offers this work both in its original version and in an arrangement in which the choir is accompanied solely by an organ. Les mer
    kr 55,00
  22. Oratorio de Noël op. 12 (Vocal score, XL in large print)

    Oratorio de Noël op. 12 (Vocal score, XL in large print)

    In 1860 Camille Saint-Saëns composed his Oratorio de Noël for five vocal soloists, mixed choir, strings, organ and harp. The work, sung in Latin, is based on texts from the Old and New Testaments, the Psalms and Gospels, as well as the Catholic Christmas liturgy. A distinctive chamber music-like instrumentation, with lyrical soloistic parts and a modest choral part combine to create a basic pastoral mood which has led this Christmas Oratorio to become one of the most performed works by Saint-Saëns. Carus offers this work both in its original version and in an arrangement in which the choir is accompanied solely by an organ. Les mer
    kr 259,00
  23. Oratorio de Noël op. 12 (Vocal score)

    Oratorio de Noël op. 12 (Vocal score)

    In 1860 Camille Saint-Saëns composed his Oratorio de Noël for five vocal soloists, mixed choir, strings, organ and harp. The work, sung in Latin, is based on texts from the Old and New Testaments, the Psalms and Gospels, as well as the Catholic Christmas liturgy. A distinctive chamber music-like instrumentation, with lyrical soloistic parts and a modest choral part combine to create a basic pastoral mood which has led this Christmas Oratorio to become one of the most performed works by Saint-Saëns. Carus offers this work both in its original version and in an arrangement in which the choir is accompanied solely by an organ. Les mer
    kr 179,00
  24. Oratorio de Noël op. 12 (Full score)

    Oratorio de Noël op. 12 (Full score)

    In 1860 Camille Saint-Saëns composed his Oratorio de Noël for five vocal soloists, mixed choir, strings, organ and harp. The work, sung in Latin, is based on texts from the Old and New Testaments, the Psalms and Gospels, as well as the Catholic Christmas liturgy. A distinctive chamber music-like instrumentation, with lyrical soloistic parts and a modest choral part combine to create a basic pastoral mood which has led this Christmas Oratorio to become one of the most performed works by Saint-Saëns. Carus offers this work both in its original version and in an arrangement in which the choir is accompanied solely by an organ. Les mer
    kr 429,00
  25. Hymn of Praise - Symphony cantata (Full score)

    Hymn of Praise - Symphony cantata (Full score)

    Mendelssohn describes to his friend Klingemann the 1840 work as "a ‘symphony for chorus and orchestra’… First three symphonic movements, to which 12 choral- and solo- movements are appendaged; the words from the Psalms, and indeed all pieces, vocal and instrumental, are composed in the words ‘Everything which has breath, Praise the Lord’; one understands by this that first the instruments give praise in their own way, and then the chorus and the individual voices." Les mer
    kr 1 209,00

Viser 26-50 av 160

per side
Side:
  1. 1
  2. 2
  3. 3
  4. 4
  5. 5