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  1. Mass in G major D 167 - Schubert

    Mass in G major D 167 - Schubert

    Erstausgabe nach den Klosterneuburger Stimmen. Franz Schubert’s Mass in G major is one of the most popular settings of the mass ordinary: the charming song-like melodic writing, especially in the Kyrie and the Credo, forms a magical counterpoint to more concertante passages in the Gloria and the Sanctus. Les mer

    Starter på: kr 55,00

  2. You Raise me up (String Orchestra)

    You Raise me up (String Orchestra)

    You Raise Me Up Series: Easy Pop Specials For Strings Composer : Brendan Graham Artist : Josh Groban Arranger : Larry Moore Composer : Rolf Lovland Josh Groban's powerful performance at the 2004 Super Bowl made this one of the most memorable songs of the year. Larry Moore has captured the dramatic music with this arrangment for strings. You Raise Me Up Series: Easy Pop Specials For Strings HL #04490352 Instrumentation Number of Parts Pages Per Part STRING BASS 4 1 PERCUSSION 2 1 PIANO 1 2 VIOLIN 1 8 1 VIOLIN 2 8 1 VIOLIN 3 (VIOLA T.C.) 4 1 VIOLA 4 1 CELLO 4 1 FULL SCORE 1 8 Les mer
    kr 625,00
  3. Missa in G D 167 (Individual part, organ)

    Missa in G D 167 (Individual part, organ)

    Franz Schubert’s Mass in G major is one of the most popular settings of the mass ordinary: the charming song-like melodic writing, especially in the Kyrie and the Credo, forms a magical counterpoint to more concertante passages in the Gloria and the Sanctus. For a long time it was thought that Schubert’s final version was scored for purely string orchestra, whilst a version with wind, brass, and timpani was thought to be an expanded orchestration by his brother Ferdinand Schubert. Les mer
    kr 125,00
  4. Missa in G D 167 (Set or parts, complete orchestral parts)

    Missa in G D 167 (Set or parts, complete orchestral parts)

    Franz Schubert’s Mass in G major is one of the most popular settings of the mass ordinary: the charming song-like melodic writing, especially in the Kyrie and the Credo, forms a magical counterpoint to more concertante passages in the Gloria and the Sanctus. For a long time it was thought that Schubert’s final version was scored for purely string orchestra, whilst a version with wind, brass, and timpani was thought to be an expanded orchestration by his brother Ferdinand Schubert. Les mer
    kr 919,00
  5. Missa in G D 167 (Study score)

    Missa in G D 167 (Study score)

    Franz Schubert’s Mass in G major is one of the most popular settings of the mass ordinary: the charming song-like melodic writing, especially in the Kyrie and the Credo, forms a magical counterpoint to more concertante passages in the Gloria and the Sanctus. For a long time it was thought that Schubert’s final version was scored for purely string orchestra, whilst a version with wind, brass, and timpani was thought to be an expanded orchestration by his brother Ferdinand Schubert. Les mer
    kr 139,00
  6. Missa in G D 167 (Vocal score, XL in large print)

    Missa in G D 167 (Vocal score, XL in large print)

    Franz Schubert’s Mass in G major is one of the most popular settings of the mass ordinary: the charming song-like melodic writing, especially in the Kyrie and the Credo, forms a magical counterpoint to more concertante passages in the Gloria and the Sanctus. For a long time it was thought that Schubert’s final version was scored for purely string orchestra, whilst a version with wind, brass, and timpani was thought to be an expanded orchestration by his brother Ferdinand Schubert. Les mer
    kr 215,00
  7. Missa in G D 167 (Choral score) (minste antall 15 stk)

    Missa in G D 167 (Choral score) (minste antall 15 stk)

    Franz Schubert’s Mass in G major is one of the most popular settings of the mass ordinary: the charming song-like melodic writing, especially in the Kyrie and the Credo, forms a magical counterpoint to more concertante passages in the Gloria and the Sanctus. For a long time it was thought that Schubert’s final version was scored for purely string orchestra, whilst a version with wind, brass, and timpani was thought to be an expanded orchestration by his brother Ferdinand Schubert. Les mer
    kr 55,00
  8. Missa in G D 167 (Vocal score)

    Missa in G D 167 (Vocal score)

    Franz Schubert’s Mass in G major is one of the most popular settings of the mass ordinary: the charming song-like melodic writing, especially in the Kyrie and the Credo, forms a magical counterpoint to more concertante passages in the Gloria and the Sanctus. For a long time it was thought that Schubert’s final version was scored for purely string orchestra, whilst a version with wind, brass, and timpani was thought to be an expanded orchestration by his brother Ferdinand Schubert. Les mer
    kr 125,00
  9. Missa in G D 167 (Full score)

    Missa in G D 167 (Full score)

    Franz Schubert’s Mass in G major is one of the most popular settings of the mass ordinary: the charming song-like melodic writing, especially in the Kyrie and the Credo, forms a magical counterpoint to more concertante passages in the Gloria and the Sanctus. For a long time it was thought that Schubert’s final version was scored for purely string orchestra, whilst a version with wind, brass, and timpani was thought to be an expanded orchestration by his brother Ferdinand Schubert. Les mer
    kr 315,00
  10. Oratorio de Noël op. 12 (Individual part, organ)

    Oratorio de Noël op. 12 (Individual part, organ)

    In 1860 Camille Saint-Saëns composed his Oratorio de Noël for five vocal soloists, mixed choir, strings, organ and harp. The work, sung in Latin, is based on texts from the Old and New Testaments, the Psalms and Gospels, as well as the Catholic Christmas liturgy. A distinctive chamber music-like instrumentation, with lyrical soloistic parts and a modest choral part combine to create a basic pastoral mood which has led this Christmas Oratorio to become one of the most performed works by Saint-Saëns. Carus offers this work both in its original version and in an arrangement in which the choir is accompanied solely by an organ. Les mer
    kr 199,00
  11. Oratorio de Noël op. 12 (Set of parts, complete orchestral parts)

    Oratorio de Noël op. 12 (Set of parts, complete orchestral parts)

    In 1860 Camille Saint-Saëns composed his Oratorio de Noël for five vocal soloists, mixed choir, strings, organ and harp. The work, sung in Latin, is based on texts from the Old and New Testaments, the Psalms and Gospels, as well as the Catholic Christmas liturgy. A distinctive chamber music-like instrumentation, with lyrical soloistic parts and a modest choral part combine to create a basic pastoral mood which has led this Christmas Oratorio to become one of the most performed works by Saint-Saëns. Carus offers this work both in its original version and in an arrangement in which the choir is accompanied solely by an organ. Les mer
    kr 1 079,00
  12. Oratorio de Noël op. 12 (Study score)

    Oratorio de Noël op. 12 (Study score)

    In 1860 Camille Saint-Saëns composed his Oratorio de Noël for five vocal soloists, mixed choir, strings, organ and harp. The work, sung in Latin, is based on texts from the Old and New Testaments, the Psalms and Gospels, as well as the Catholic Christmas liturgy. A distinctive chamber music-like instrumentation, with lyrical soloistic parts and a modest choral part combine to create a basic pastoral mood which has led this Christmas Oratorio to become one of the most performed works by Saint-Saëns. Carus offers this work both in its original version and in an arrangement in which the choir is accompanied solely by an organ. Les mer
    kr 175,00
  13. Oratorio de Noël op. 12 (Choral score) (minste antall 15 stk)

    Oratorio de Noël op. 12 (Choral score) (minste antall 15 stk)

    In 1860 Camille Saint-Saëns composed his Oratorio de Noël for five vocal soloists, mixed choir, strings, organ and harp. The work, sung in Latin, is based on texts from the Old and New Testaments, the Psalms and Gospels, as well as the Catholic Christmas liturgy. A distinctive chamber music-like instrumentation, with lyrical soloistic parts and a modest choral part combine to create a basic pastoral mood which has led this Christmas Oratorio to become one of the most performed works by Saint-Saëns. Carus offers this work both in its original version and in an arrangement in which the choir is accompanied solely by an organ. Les mer
    kr 55,00
  14. Oratorio de Noël op. 12 (Vocal score, XL in large print)

    Oratorio de Noël op. 12 (Vocal score, XL in large print)

    In 1860 Camille Saint-Saëns composed his Oratorio de Noël for five vocal soloists, mixed choir, strings, organ and harp. The work, sung in Latin, is based on texts from the Old and New Testaments, the Psalms and Gospels, as well as the Catholic Christmas liturgy. A distinctive chamber music-like instrumentation, with lyrical soloistic parts and a modest choral part combine to create a basic pastoral mood which has led this Christmas Oratorio to become one of the most performed works by Saint-Saëns. Carus offers this work both in its original version and in an arrangement in which the choir is accompanied solely by an organ. Les mer
    kr 259,00
  15. Oratorio de Noël op. 12 (Vocal score)

    Oratorio de Noël op. 12 (Vocal score)

    In 1860 Camille Saint-Saëns composed his Oratorio de Noël for five vocal soloists, mixed choir, strings, organ and harp. The work, sung in Latin, is based on texts from the Old and New Testaments, the Psalms and Gospels, as well as the Catholic Christmas liturgy. A distinctive chamber music-like instrumentation, with lyrical soloistic parts and a modest choral part combine to create a basic pastoral mood which has led this Christmas Oratorio to become one of the most performed works by Saint-Saëns. Carus offers this work both in its original version and in an arrangement in which the choir is accompanied solely by an organ. Les mer
    kr 179,00
  16. Oratorio de Noël op. 12 (Full score)

    Oratorio de Noël op. 12 (Full score)

    In 1860 Camille Saint-Saëns composed his Oratorio de Noël for five vocal soloists, mixed choir, strings, organ and harp. The work, sung in Latin, is based on texts from the Old and New Testaments, the Psalms and Gospels, as well as the Catholic Christmas liturgy. A distinctive chamber music-like instrumentation, with lyrical soloistic parts and a modest choral part combine to create a basic pastoral mood which has led this Christmas Oratorio to become one of the most performed works by Saint-Saëns. Carus offers this work both in its original version and in an arrangement in which the choir is accompanied solely by an organ. Les mer
    kr 429,00
  17. Erstanden ist der heilig Christ (Set of parts, complete orchestral parts)
  18. Erstanden ist der heilig Christ (Full score)

    Erstanden ist der heilig Christ (Full score)

    Erstanden ist der heilig Christ BuxWV 99 Les mer
    kr 29,00
  19. Gud vare lovad - Partitur - Blandakor - Fredrik Sixten

    Gud vare lovad - Partitur - Blandakor - Fredrik Sixten

    Et verk av Fredrik Sixten bestilt av Karlstads Stifts Kyrkosångförbund. Verket er for Blanda kor, orgel og strykeorkester. Finnes også i versjon for Blandakor (SATB) og piano, Blandakor (SAB) og piano og likestemmer (SA) og piano. Les mer
    kr 69,00
  20. Allegro festivo for strings (Partitur) - Timothy Miller

    Allegro festivo for strings (Partitur) - Timothy Miller

    Concertante: Violin I Violin II Cello - Ripieno: Violin I Violin II Viola Cello Doublebass (Kontrabass). Les mer
    kr 245,00
  21. Runer for String Orchestra (3,3,2,2,1) - Parts
  22. Requiem / stemmer - Strykeorkester

    Requiem / stemmer - Strykeorkester

    Tekst på latin, , All text in latin Les mer
    kr 235,00
  23. Requiem - Blandakor

    Requiem - Blandakor

    Tekst på latin, , All text in latin Les mer
    kr 439,00
  24. Requiem - Strykeorkester

    Requiem - Strykeorkester

    Tekst på latin, , All text in latin Les mer
    kr 119,00

24 stk

per side